Josh Tuininga. We Are Not Strangers: Based on a True Story. Abrams Comicarts,
2023. $24.99 (hardcover). ISBN: 978-1-4197-5994-9. https://www.abramsbooks.com/product/we-are-not-strangers_9781419759949/
Josh Tuininga’s We Are Not Strangers is not getting nearly as much hype as it deserves. Often billed as yet another “touching tale of friendship during World War II” (Kirkus), or a “slice of Seattle history” (Seattle Times), this historical graphic novel delivers much more than a trite tale of being nice to your neighbors, even (perhaps especially) during times of great turmoil.
The story itself is a relatively simple one, and though it is based on a true story from Tuininga’s own family lore, this work is first and foremost one of historical fiction. The tale follows Marco, a Sephardic Jewish immigrant in the Seattle area, as he witnesses the impact of American policies towards Japanese Americans and Japanese immigrants during World War II. In his own quiet way, he works tirelessly to do what he can to help his friend Sam Akiyama, who is about to lose his family home and business. In this way, it is a familiar story of discrimination and its ripple effects throughout an entire community.
What makes this story unique, however, is the meticulous care and attention to detail that Tuininga has demonstrated throughout. The book begins with a foreword from Ken Mochizuki that gives some initial historical context and ends with an extensive Notes and Sources section that includes hand-drawn historical maps of Seattle, detailed descriptions of historical landmarks featured throughout the story, actual newspaper headlines from the time, and a glossary of terms. One of the most satisfying reader experiences I have ever had involved looking through the list and drawings of historical landmarks from the Notes and Sources section and then going back through the actual graphic novel to find where those same landmarks are drawn into the story, often only in backgrounds or scene settings.
This attention to detail in the artwork is perhaps the most satisfying piece of the entire book. One could pore over the pictures on these pages for hours and still find new details to admire. The art is realistic without crossing into the uncanny valley, a perfect dividing line between feeling real enough to drive powerful points home, but still being cartoony enough to allow the reader some degree of self-preserving psychic separation. The chapters tend to jump back and forth between the present and the past, and while this sort of narrative device can sometimes be confusing for readers, the detailed artistic settings and color schemes make it easy for readers to keep their place and bridge the gap between time periods. We can expect no less from Tuininga, who has a solid background in art and design.
This is truly a book for all ages, which makes it a valuable addition to any library (public, school, or personal). Younger children will appreciate looking at the artwork and having a simple understanding of the basic story, while older teens and adults will be able to delve in to more of the nuance and history that lies beneath. An afterword by Devin E. Naar, Professor in Sephardic Studies, sheds light on a particularly interesting and understated aspect of the story: the fact that Marco, while attempting to help fight discrimination against a marginalized community (Japanese immigrants), is himself a member of a marginalized community (a Sephardic Jew and speaker of Ladino). The cross-cultural solidarity on display here is both remarkable in that we see it so rarely in stories like this, but also in that it is not over-dramatized or used purely as a selling point. There are thankfully no “white saviors” here; even Marco provides his help quietly and mostly in the background, never seeking spotlights or accolades, just quietly doing what is right.
Abrams typically delivers a nice physical artifact with its books, and this one is no exception; make sure to remove the dust jacket in order to fully appreciate the illustrative details on the actual hardcover and both front and back endpapers. This book is a welcome addition to a pantheon of graphic novels that portray the experiences of marginalized folks, immigrants, and the history of America during World War II. Don’t sleep on this one.
A version of this review will appear in the print edition of IJOCA.
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