IJOCA Vol. 24, No. 2 Fall/Winter 2022 Table of Contents

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IJOCA Vol. 24, No. 2 Fall/Winter 2022

Editor's Notes
John A. Lent
1
Symposium: The Rise of Can-ga

edited by Chris Reyns-Chikuma

Introduction: Canada + Manga = Canga?
Chris Reyns-Chikuma
4
Quebec Welcomes Manga or Towards a New Thread in the Imagined Community
Jean Sébastien
18
The Ways in Which Manga Enters Canada
Sylvain Rheault
33
"Discovering" Gekiga: Drawn and Quarterly, Yoshihiro Tatsumi, and Manga in Canada
Zachary Winchcombe
45
Is "Can-ga" the Next Scott Pilgrim?
How Canada Can Draw on Japanese Manga and Its Own Diverse Communities
to Celebrate and Promote Its Own Comic Creators
Ryan Clement
65
Reading Jane Austen in Canadian Shōjo Manga: Risks and Rewards
Tsugumi (Mimi) Okabe
84
The Algerian War Through the Noir Lens in Jacques Ferrandez and Maurice Attia's Alger la noire
Fabrice Leroy
95
The Representation of the U.S.-Japan Alliance in Manga
Roman Rosenbaum
115
Pioneers in Comics Scholarship
Choices and Chances: Getting to Be a Comics Scholar
Joseph "Rusty" Witek
162
Drawing the Dust Bowl: An Interview with Aimee de Jongh
Sara W. Duke
179
Pioneers in Comics Scholarship
Working with the "Friendliest Gang in Academia"
Roger Sabin
187
"To Say Out Loud Everything You Think About and Everything Around You"
--The Views of Russia's Viktor Bogorad
Oleg Dergachov
201
A Defiant Chronicler of War in Ukraine: Vladimir Kazanevsky
Oleg Dergachov
212
My Friend and Muse, Li Binsheng: Master Cartoonist, Peking Opera Performer, Magician, and Folklorist
Wang Jing
Translated by Xu Ying
222
Brilliant Color-Blind Colorist: Haitian Cartoonist Thony Loui
Mike Rhode
231
Satoshi Kon's Opus through His Anime
Amanda Kennell
246
Gengoroh Tagame: An Award-winning, Openly-Gay, Erotic, Manga Artist Portrays Gay Life and Issues for the General Audience
Kinko Ito
268
An Essay
The "Art" of the Swipe (Or: Revenge of the Fanboys)
Mark David Nevins
281
The Occasionally Fabulous Cartooning Life of Eric Orner
Mike Rhode
307
In Remembrance
Martin Barker (1946-2022)
Ian Gordon
330
In Remembrance
Big Name B: With Thanks to and in Memory of Martin Barker
Jonathan Gray
334
Quixotic "Adaptations": 21st Century Illustrative and Written Tributes of Don Quijote
Mackenzi McGowan
337
Effects of Service Quality Characteristics of "Lore Olympus" on User Satisfaction and Reuse Intention of Generation Z in Korea
Y. S. Seo and Austin Kang
356
Irreverence Images. Everyday Rebellion in Paul Kirchner's and Gary Larson's Cartoons
Delázkar Rizo
376
Namor: The Dynamics of Outsider and Insider
Jason D. DeHart
388
Abstract Comics:A Challenge to the Audiences' Imaginative Capacities

Dietrich Grünewald

Translated by Abigail Fagan
395
Chinese Comic Artist Cai Weidong
Xu Ying
414
A Comparative Analysis of the Representation of Violence in Fanon's The Wretched of the Earth and Selected Batman Comics
Pritesh Chakraborty
424
Pompeyo the Villain and Couples' Interactions
Georgina González Mendívil
439
New Book Series and Reprints
John A. Lent
446
Randy Scott Retires from Michigan State University Library's Comic Art Collection
Mike Rhode
449
A Review Essay
A Colonial Perspective on the Indonesia-Netherlands Comics Connection
Rik Spanjers
451
A Review Essay
Mystery, Magic, and Love in Manila: A Review of Three Graphic Novels from the Philippines
Lara Saguisag

459

Book Reviews
-Paul Williams. The US Graphic Novel, by Paul Levitz, p.463.
-Brian Doherty. Dirty Pictures. How an Underground Network of Nerds, Feminists, Misfits, Geniuses, Bikers, Potheads, Printers, Intellectuals, and Art School Rebels Revolutionized Art and Invented Comix, by John A. Lent, p.465.
Eike Exner. Comics and the Origins of Manga: A Revisionist History,
by Sam Cowling, p.468.
-Jan Baetens, Hugo Frey, and Fabrice Leroy. Intermediality in French-Language Comics and Graphic Novels, by Elke Defever, p.473.
-Christopher Conway and Antionette Sol. The Comic Book Western: New Perspectives on a Global Genre, by Chris York, p.476.
-Li Baochuan. The History of Chinese Paper-cut Animation (Zhongguo Jianzhi Donghua Shi), by Xu Ying, p.478.
-Cord Scott. The Mud and the Mirth; Marine Cartoonists in World War I, by James Willetts, p.484.
-Alison Halsall and Jonathan Warren, eds. The LGBTQ+ Comics Studies Reader: Critical Openings, Future Directions, by Christopher M. Roman, p.486.
-Paul Madonna. You Know Exactly What You Have to Do, the Third Collection of All Over Coffee, by Cord A. Scott, p.489.
-Sean O'Connell. With Great Power: How Spider-Man Conquered Hollywood During the Golden Age of Comic Book Blockbusters, by Viola Burlew, p.492.
-Ewa Stańczyk. Comics and Nation. Power, Pop Culture, and Political Transformation in Poland, by John A. Lent, p.495.
-Andre Frattino and Kate Kasenow. Tokyo Rose--Zero Hour: A Japanese American Woman's Persecution and Ultimate Redemption After World War II, by John A. Lent, p.496.
-James Hodapp, ed. Graphic Novels and Comics as World Literature, by John A. Lent, p.497.

-Asha Pran. Meri Nazar Mein Pran. From a Sign Board Painter to Padma Shri Awardee. Creator of Chacha Chaudhary, Cartoonist Pran, by John A. Lent, p.499.

A Review Essay
A Funereal Exhibition
Mark McKinney
501
The Doraemon Exhibition Singapore 2022: Fine Art Versus

Fan Art, by Clio Ding, p.514.

A Challenge
Domingos Isabelinho
521