Friday, June 20, 2014
Thursday, June 19, 2014
International Journal of Comic Art Spring 2014 issue out now
International Journal of Comic Art Vol. 16, No. 1, Spring 2014
Guest Editorial
The Books Are Selling Just Fine, Thank You, or Scholarship and the Permissions Problem
Joseph Thomas
1
Comics Scholarship: Its Delayed Birth, Stunted Growth, and Drive to Maturity
John A. Lent
9
Towards a Global History of the Political Cartoon: Challenges and Opportunities
Richard Scully
29
Chica moderna o mujer tradiconal? Intersections of Modernity and Tradition in Gabriel Vargas' La Familia Burron
Brittany Tullis
48
Comics Don't Need to Be Literature with a Capital L: An Interview with Leah Moore and John Reppion
Jeffery Klaehn
74
Atomic Horror: Entertaining Comics and "One World or None"
Eric A. Holmes
90
The Misshitsu Trial: Thinking Obscenity with Japanese Comics
Patrick W. Galbraith
125
Representation through Anti-Representation: Showing the Unspeakable in Stassen's Déogratias
Anna Howell
147
"You Can't Deny the Uncomfortable Truths": Carol Tyler and Her Frank Autobiographical Comics
John A. Lent
163
Semiotics of Filipino Komiks-to-Film Adaptation: Decoding Lapu-Lapu (1954)
Joyce L. Arriola
177
The Emergence of Black Cartoon Animators in South Africa: A Spotlight on the Work of Mdu Ntuli
Pfunzo Sidogi
208
Voices from the Margins:
The Place of Wilderness in Watchmen
Aaron A. Cloyd
223
Doomed Hybrids: Three Cases of Fatal Mixing
in the War Comics of Tezuka Osamu
Ben Whaley
244
Allied, Japanese, and Chinese Propaganda: Cartoon Leaflets During World War II
John A. Lent
258
Women Cartoonists and Illustrators Draw Covers for American Magazines: Case Studies from The Library of Congress's Prints & Photographs Division
Martha H. Kennedy
302
The Art of Splicing: Autofiction in Words and Images
Maaheen Ahmed
322
R for Reason Gone Rampant? The Intricate Interplay between Madness and Rationality in the Graphic Novel V for Vendetta
Marco R. S. Post
339
Writing History, Day by Day, From My Point of View: The Philosophy of Sudanese Cartoonist Khalid Albaih
Mark Anderson
367
Classical Categories, Prototypes, and the Graphic Novel
Achim Hescher
384
"Let's part before we become mushy": Femininity and Female Antagonists in Will Eisner's "The Spirit"
David Hayes
402
I Voted Only for the Head Too: Visual Satire and Democratic Governance in Africa
Jimoh, Ganiyu Akinloye
431
Text and Images: Varying Sizes of Word Balloons in Comics
Gary Dufner and Joo Kim
445
From Boom to Bubble and Bust: Comical Economics in Aleix Saló's Troika Trilogy
Ryan Prout
458
Comics for the Blind and for the Seeing
Jakob F. Dittmar
477
Kampong (Village) Boy Lat and Icons of Malaysian Nationhood
Nasya Bahfen, Zainurul Rahman, and Juliette Peers
487
The Next Generation of Comics Scholarship
Sandman and Greek Mythology in The Song of Orpheus
Daniela Marino
500
Japanese Honorifics Including Openings, Closings, and Terms of Address in a Japanese Animation Film: Using Authentic Texts in Second Language Teaching and Learning
Cherie Hess
515
"Topolino canta Napoli" : Mickey Mouse as Testimonial of Piedigrotta Festival
Armando Rotondi
532
Personal Remembrances
John A. Lent and Xu Ying
540
Bi Keguan in My Eyes
Wang Dejuan
Translated by Xu Ying
542
The Printed Word
John A. Lent
550
Book Reviews
553
Exhibition and Media Reviews
Edited by Michael Rhode
566
<Portfolio>
The Clever Cartoons of Ross Thomson
568
Sunday, May 4, 2014
IJOCA nominated for an Eisner award
The International Journal of Comic Art has been nominated for the prestigious Eisner Award in the Best Scholarly / Academic Work category. We are appreciative of the honor.
Tuesday, February 4, 2014
New book: Southeast Asian Cartoon Art ed by John Lent
Southeast Asian Cartoon ArtHistory, Trends and Problems
Edited by John A. Lent
http://www.mcfarlandbooks.com/book-2.php?id=978-0-7864-7557-5
Print ISBN: 978-0-7864-7557-5
Ebook ISBN: 978-1-4766-1446-5
52 photos, notes, bibliography, index
256 pp. softcover (6 x 9) 2014
Sunday, February 2, 2014
Timothy Perper, 74, Writer/Researcher obituary
Timothy Perper, 74, Writer/Researcher
Timothy Perper, 74, writer and independent researcher on courtship as
well as advocate for Japanese manga and anime, died of cardiac arrest
on Tuesday, January 21st, at his Bella Vista home.
As a biology professor at Rutgers New Brunswick in the 1970s, Perper
became fascinated by how couples first meet and then decide whether or
not they are attracted to each other. He obtained a grant from the
Harry Frank Guggenheim Foundation to study conversations and pick-ups
in singles bars. His book, Sex Signals: The Biology of Love (1985),
was described in the New York Times as "lively and provocative" and by
CHOICE magazine as "highly readable and well-researched." He
identified a body language sequence typical of courtship:
approach-talk-turn-touch-synchronization. This research attracted the
attention of the media, and he was interviewed by Dr. Ruth Westheimer,
Regis Philbin, and the Playboy Channel, among others. "We human
beings," Perper wrote in Forum magazine in 1987 "do not fall in love
by telepathy: we have to move into proximity with each other." Yet, as
he told L.A. Life in 1995, "it is behavior, vivacity that attracts
people, not looks, beauty, not elegance of dress."
Later, upon learning that Japanese manga comics depict courtship and
sexuality differently than did most American comics at the time,
Perper began to study and write about manga and anime in Mangatopia
(2011), Graphic Novels Beyond the Basics (2009), and in essays and
reviews online and in journals and anthologies. "Anime and manga
represent living evidence of what nonwestern, erotophilic, and
female-positive sexuality can look like," he wrote in the newsletter
Contemporary Sexuality (2005). "Manga and anime provide ways to
connect with young people and initiate conversations about sexuality."
He served as book review editor for The Journal of Sex Research, The
Journal of Sex Education and Therapy, and Mechademia: An Annual Forum
for Anime, Manga, and the Fan Arts.
Perper also wrote quirky fiction, some published in Analog and in
Oziana, the literary annual of the International Wizard of Oz Club. He
delighted in creating cunning, oddball comebacks to spam emails and
devising humorous wordplay. In recent years, his special love was
creating the adventure/comedy webcomic The Adventures of Princess
Adele of Utopia (www.princessadele.com) in collaboration with Martha
Cornog, his wife of nearly 30 years, and artist Jamar Nicholas. He
enjoyed visiting South Street-area bars, where he was sometimes known
as "Uncle Tim" and "Dr. Pepper."
Even while at Rutgers, Perper treated his students to unusual
experiences. "He told me about his 'cockroach lecture' to dramatize
evolution,' said his wife. "He would start by drawing a long parade of
roaches across the blackboard, and then erase many of them--those were
the ones that died young, before they could reproduce. Only the ones
that lived long enough to mate could pass along their genes. And they
sure did--roaches are extremely hardy insects and go back to over 100
million years ago."
Growing up in Greenwich Village, Perper obtained his undergraduate
degree in biology and genetics from CCNY (1961) and a doctorate from
CUNY (1969). He worked briefly in the pharmaceutical industry
(1969-1972) before joining the faculty at Rutgers (1972-1979). Upon
obtaining the Guggenheim grant (1980), he turned to independent
research and worked from home with his wife, a librarian and writer
and sometimes his collaborator. He never tired of watching people
flirt in singles bars. "If the magic is less mysterious than we
thought," he told Forum magazine in 1987 when describing his findings,
"it is no less entrancing."
He is survived by his wife and a nephew, photographer Robert Daniel
Ullmann, who together with Perper's friends and drinking companions
will hold a memorial gathering to honor him on March 14th, 5:00 p.m.,
at the Fleisher Art Memorial in Philadelphia. Contributions in his
memory may be made to the Fleisher Art Memorial in Philadelphia
(www.fleisher.org) and the Comic Book Legal Defense Fund
(http://cbldf.org).
Written by / Family contact:
Martha Cornog (wife), martha.cornog@yahoo.com
2-2-14
Timothy Perper, 74, writer and independent researcher on courtship as
well as advocate for Japanese manga and anime, died of cardiac arrest
on Tuesday, January 21st, at his Bella Vista home.
As a biology professor at Rutgers New Brunswick in the 1970s, Perper
became fascinated by how couples first meet and then decide whether or
not they are attracted to each other. He obtained a grant from the
Harry Frank Guggenheim Foundation to study conversations and pick-ups
in singles bars. His book, Sex Signals: The Biology of Love (1985),
was described in the New York Times as "lively and provocative" and by
CHOICE magazine as "highly readable and well-researched." He
identified a body language sequence typical of courtship:
approach-talk-turn-touch-synchronization. This research attracted the
attention of the media, and he was interviewed by Dr. Ruth Westheimer,
Regis Philbin, and the Playboy Channel, among others. "We human
beings," Perper wrote in Forum magazine in 1987 "do not fall in love
by telepathy: we have to move into proximity with each other." Yet, as
he told L.A. Life in 1995, "it is behavior, vivacity that attracts
people, not looks, beauty, not elegance of dress."
Later, upon learning that Japanese manga comics depict courtship and
sexuality differently than did most American comics at the time,
Perper began to study and write about manga and anime in Mangatopia
(2011), Graphic Novels Beyond the Basics (2009), and in essays and
reviews online and in journals and anthologies. "Anime and manga
represent living evidence of what nonwestern, erotophilic, and
female-positive sexuality can look like," he wrote in the newsletter
Contemporary Sexuality (2005). "Manga and anime provide ways to
connect with young people and initiate conversations about sexuality."
He served as book review editor for The Journal of Sex Research, The
Journal of Sex Education and Therapy, and Mechademia: An Annual Forum
for Anime, Manga, and the Fan Arts.
Perper also wrote quirky fiction, some published in Analog and in
Oziana, the literary annual of the International Wizard of Oz Club. He
delighted in creating cunning, oddball comebacks to spam emails and
devising humorous wordplay. In recent years, his special love was
creating the adventure/comedy webcomic The Adventures of Princess
Adele of Utopia (www.princessadele.com) in collaboration with Martha
Cornog, his wife of nearly 30 years, and artist Jamar Nicholas. He
enjoyed visiting South Street-area bars, where he was sometimes known
as "Uncle Tim" and "Dr. Pepper."
Even while at Rutgers, Perper treated his students to unusual
experiences. "He told me about his 'cockroach lecture' to dramatize
evolution,' said his wife. "He would start by drawing a long parade of
roaches across the blackboard, and then erase many of them--those were
the ones that died young, before they could reproduce. Only the ones
that lived long enough to mate could pass along their genes. And they
sure did--roaches are extremely hardy insects and go back to over 100
million years ago."
Growing up in Greenwich Village, Perper obtained his undergraduate
degree in biology and genetics from CCNY (1961) and a doctorate from
CUNY (1969). He worked briefly in the pharmaceutical industry
(1969-1972) before joining the faculty at Rutgers (1972-1979). Upon
obtaining the Guggenheim grant (1980), he turned to independent
research and worked from home with his wife, a librarian and writer
and sometimes his collaborator. He never tired of watching people
flirt in singles bars. "If the magic is less mysterious than we
thought," he told Forum magazine in 1987 when describing his findings,
"it is no less entrancing."
He is survived by his wife and a nephew, photographer Robert Daniel
Ullmann, who together with Perper's friends and drinking companions
will hold a memorial gathering to honor him on March 14th, 5:00 p.m.,
at the Fleisher Art Memorial in Philadelphia. Contributions in his
memory may be made to the Fleisher Art Memorial in Philadelphia
(www.fleisher.org) and the Comic Book Legal Defense Fund
(http://cbldf.org).
Written by / Family contact:
Martha Cornog (wife), martha.cornog@yahoo.com
2-2-14
Friday, January 31, 2014
Sara Duke's biographical sketches of cartoonists book available now (updated)
Biographical Sketches of Cartoonists & Illustrators in the Swann Collection of the Library of Congress
Paperback, 340 Pages
Price: $17.00
Ships in 3-5 business days
Sara Duke's biographical sketches of cartoonists book available now
Years ago, Sara Duke wrote biographical notes for the artists in the Library's original cartoon collection. With her consent, I took her public domain file, edited it, and have turned it into a handy reference tool. This sells at printing cost, and neither of us makes any money on it. Libraries in particular should buy it. - Mike Rhode
Biographical Sketches of Cartoonists & Illustrators in the Swann Collection of the Library of Congress
Paperback, 340 Pages
Price: $17.00
Ships in 3-5 business days
Inside this book are short biographical sketches about the many artists represented in the Library of Congress' Swann Collection compiled by Erwin Swann (1906-1973). In the early 1960s, Swann, a New York advertising executive started collecting original cartoon drawings of artistic and humorous interest. Included in the collection are political prints and drawings, satires, caricatures, cartoon strips and panels, and periodical illustrations by more than 500 artists, most of whom are American. The 2,085 items range from 1780-1977, with the bulk falling between 1890-1970. The Collection includes 1,922 drawings, 124 prints, 14 paintings, 13 animation cels, 9 collages, 1 album, 1 photographic print, and 1 scrapbook.
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