International Journal of Comic Art blog

Articles from and news about the premier and longest-running academic journal devoted to all aspects of cartooning and comics -- the International Journal of Comic Art (ISSN 1531-6793) published and edited by John Lent.

Tuesday, April 21, 2026

In Memoriam: Frank H. Stack (1937-2026)

Frank Stack displaying caricature

 he drew of Xu Ying. Gijón, Spain. 

October 2006

 by John A. Lent

In a news world where we incessantly hear of the bad guys--mass murderers, crooked, two-faced politicians, warmongers, greedy, self-serving corporations, and the lot, the good among us do not get their due attention.

Being affiliated with the comics art community for a considerable time, I have been fortunate to have known many individuals who have been a credit to humanity. On that list was Frank Huntington Stack (1937-2026), who died April 12.

Frank was part of the University of Texas triumvirate credited with ushering in underground comics while with the university’s humor magazine, The Texas Ranger. Frank was the magazine’s editor in his sophomore year, 1958-1959, followed by Gilbert Shelton (1940- ) in 1962. Jack Edward Jackson (Jaxon, 1941-2006) was a staff member a few years later before being fired over a censorship violation.

Left to right:  John A. Lent, 

Frank Stack, and Gilbert Shelton, 

with their awards. 

Gijón, Spain. October 2006.

The threesome was variously and integrally intermingled:  Stack published Shelton’s early work in The Texas Ranger during his editorship; Shelton returned the favor in 1962, bringing out Stack’s comic strip, “The Adventures of Jesus,” first in the Ranger, and in 1964, collecting about a dozen of the strips in a 14-page, Xerox zine of 40 copies that he handed out around campus. Shelton and others consider Stack’s strip to be the first underground comic, although in contention among some is Jackson’s 42-page, satirical comic book, God Nose, one thousand copies of which were printed surreptitiously at the Texas State Capital print shop in 1964. Other connections were that Jackson and Shelton were two of the four co-founders of Rip Off Press in 1969, and Jackson and Stack used pseudonyms to protect their jobs, Jaxon and Foolbert Sturgeon, respectively.

Stack taught art and printmaking at the University of Missouri, from 1962 to 2001, retiring as professor emeritus, was an accomplished watercolor painter, and a regular contributor to Harvey Pekar’s American Splendor.

I spent time with Frank and Gilbert from Oct. 11 through 14, 2006, in Gijón, Spain. We were among about 20 individuals being honored at the XXX Salón Internacional del Cómic del Principado de Asturias.

 Both were casual, engaging, and unpretentious, down-to-earth types of guys that it is a pleasure to fraternize with. However, after Gijón, Frank and I did not keep contact, but I admirably followed his endeavors over the years.

Left to right:  John A. Lent, Gilbert Shelton, and Xu Ying, Gijón, Spain. October 2006.


Caricature of Xu Ying by Frank Stack. 

Gijón, Spain. October 2006.

Gilbert and I crossed paths a few times since 2006. While attending a conference in Paris in 2008, he arranged for me to meet him in his studio, where he introduced me to his studio partner and showed me around. We adjourned to a nearby restaurant where my wife, Xu Ying, and I dined with Shelton and his spouse, Lora Fountain (1944- ), an important literary agent. Over the course of the next couple decades, Gilbert agreed to be on the advisory board of the International Journal of Comic Art, and, in 2019, sent me at unsolicited (but welcomed) manuscript he wrote in his whimsical style about a Soviet Union underground cartoonist’s exhibit of which he was a part in 1990, for publication in IJOCA.

We, the staff of the International Journal of Comic Art, express our deepest condolences to the family of Frank Stack, and to his many fans and students. We are proud to have known him.

________________________

John A. Lent is the founder, publisher, and editor-in-chief of the International Journal of Comic Art and professor emeritus of communications, having taught in universities in Canada, China, Malaysia, Philippines, and the U.S., from 1960-2011.

Monday, March 23, 2026

PR: "José Muñoz. Broken Voices" exhibit opening at Cartoonmuseum Basel

Dear friends of Cartoonmuseum Basel

We are very pleased to invite you to the opening of our upcoming exhibition 'José Muñoz. Broken Voices' at Cartoonmuseum Basel. Following on from Jacques Tardi and Thomas Ott, another master of the black-and-white drawing is visiting our museum: José Muñoz. This comics artist, who was born in Argentina in 1942 and now lives in Milan, uses black-and-white in its purest form – powerfully and uncompromisingly, without any grey tones or hatching

Muñoz's drawings are direct, impetuous and sometimes crude. His masterful use of light and shadow often borders on abstraction, and his characters range from realistic to grotesque. Working either solo or together with his long-standing creative partner Carlos Sampayo (b. 1943), a similarly exiled compatriot author, he has produced an extensive body of work that conveys strong commitment on both a political and human level.

© José Muñoz, 'Billie Holiday', Szenario Carlos Sampayo, 1988–1991 Casterman, Paris, 1991

The exhibition presents all facets of his output – from originals for the famous 'Alack Sinner' series, through to passionate references to jazz and tango. It also reveals a lesser-known painterly and colourful part of his oeuvre.

© José Muñoz, Untitled, 2005, published in: 'La Pampa y Buenos Aires. De chair et de poussière', Futuropolis and Nuages, Paris and Milano, 2006 Courtesy Galleria Nuages, Milano

Celebrate the opening of this captivating exhibition with us and José Muñoz himself, and discover the expressive imagery of one of the great artists of our time. We look forward to your visit and to an inspirational evening.

Welcome to Cartoonmuseum Basel!

Yours sincerely,

Anette Gehrig
Director and Curator



Opening of the exhibition 'José Muñoz. Broken Voices'

Friday, 27.3.2026

6.30pm–9pm

With: Baschi Dürr, Director of the Christoph Merian Foundation, Basel (CH), José Muñoz, comics artist, Milan (IT); Lorenzo Mattotti, comics artist, Paris (FR); and Anette Gehrig, Director and Curator of the Cartoonmuseum Basel
Music: Vanessa Lemoine and Gabriela Suárez, Jazzcampus Basel
You and your friends are cordially invited.

Artist Talk 'Son of historietas'

Saturday, 28.3.2026

5pm–6pm

With his unconventional expressionist crime stories, José Muñoz has created classic black-and-white comics. Alongside these, he has also produced a lesser-known painterly and colourful body of work, in which he addresses his themes more freely and less explicitly. In both spheres of activity, he conveys his interest in the effects of a loss of freedom, co-determination and security, as well as in the consequences of social hardship and upheaval. In a talk with curator Anette Gehrig, José Muñoz tells of his escape from Argentina to Europe, his development as an artist in both comics and fine art, and his relationship with masters who influenced him, such as Alberto Breccia and Hugo Pratt.

Sunday guided tour

Sunday, 12.4.2026

2pm–3pm

Cartoonmuseum Basel is presenting the life's work of Argentine comics artist José Muñoz (b. 1942), who is known for his expressive black-and-white crime stories, depicting the everyday lives of outsiders on the fringes of society. The major retrospective also introduces visitors to Muñoz the painter, and to his love of music and dance, as the artist opens his archives to the public for the first time. Find out more about this socio-critical virtuoso during a public guided tour on a Sunday.

Wednesday morning talks 'Escape into Art'

Wednesday, 15.4.2026

10am–12pm

In the 1970s, the Argentine comics artist José Muñoz emigrated to Spain to escape the military dictatorship. Together with his compatriot and writer Carlos Sampayo, he explored political violence and exile in the series 'Alack Sinner', which combines crime fiction, social criticism, and contemporary history. Curator Anette Gehrig speaks with her guest, Prof. Dr. Harm Den Boer, about art as a form of resistance.

Cartoon Sunday 'Gangster hunt'

Sunday, 26.4.2026

2pm–4pm

With stark black-and-white contrasts, dark shadows on angular faces and skewed perspectives, José Muñoz has the perfect set of tools for depicting the back streets and the underworld. In this workshop, we follow his example and try to depict a scene from a crime thriller. Hands up!

St. Alban-Vorstadt 28
4052 Basel
+41 61 226 33 60
cartoonmuseum.ch
info@cartoonmuseum.ch
Tue–Sun 11am–5pm