News about the premier academic journal devoted to all aspects of cartooning and comics -- the International Journal of Comic Art (ISSN 1531-6793) published and edited by John Lent.

Wednesday, April 24, 2024

Book Review: Ben Katchor by Benjamin Fraser

Benjamin Fraser. Ben Katchor. University Press of Mississippi, 2023. https://www.upress.state.ms.us/Books/B/Ben-Katchor3

reviewed by Matt Reingold

            Benjamin Fraser’s recent biography of American cartoonist Ben Katchor is the first book to explore Katchor’s lengthy career and vast catalogue. Much like his previously published monograph Visible Cities, Global Comics (University Press of Mississippi, 2019), Fraser draws upon his own training as an urban geographer to consider the ways that cities take on a life of their own.

            Readers expecting a traditional biography that tells a chronological narrative of Katchor’s career will quickly realize that this is not the approach that Fraser employs in Ben Katchor. Instead, each chapter (aside from the introduction and the conclusion) is built around one or two of our senses – sight, touch, sound, smell, and taste – and how they are featured in Katchor’s illustrations of urban life. The cumulative effect created is a work built around showing the ways that Katchor creates an immersive and sensory experience.

            Fraser’s approach focused on the small details in panels like sight lines, noises, the ways that panels abut each other, the beautiful onomatopoeia created with the sounds of eating, and the ways that words can convey multiple meanings. He conducts beautiful close readings of the choices that Katchor makes to draw readers in to the richness of urban life. I left the Fraser’s biography with a deeper appreciation for Katchor’s techniques and world-building approach. At the same time, I would be remiss in not acknowledging that I also feel like I left the work with a limited understanding of the stories that Katchor tells in his comics or the larger thematic considerations that cut across his works (if any such exist). This is a consideration that Fraser, too, recognizes in his conclusion when he suggests that more books about Katchor still need to be written. Nevertheless, I found myself impressed with how Fraser engages with urban spaces and physical geography to analyze comics in a way that differs from other such scholarship. It is an emphasis on methodology, technique, and intention and left me thinking deeply about both Katchor’s cartoons and the urban spaces where I live.  

 


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