Book Review: South East Asian Kommunity 2024

reviewed by  Duy Tano, of The Comics Cube commentary website and YouTube channel

South East Asian Kommunity 2024. Edited by CT Lim and Paolo Herras. Philippines : Komiket Inc., 2024. ISBN 978-621-8244-48-1. https://www.komiket.com/products/south-east-asian-kommunity-2024

South East Asian Kommunity 2024 is an anthology featuring creators from Vietnam, Myanmar, Thailand, Singapore, Indonesia, Malaysia, and the Philippines, edited by CT Lim from Singapore and Paolo Herras of Komiket Philippines. Personally, I am a huge fan of short stories and anthologies. This particular collection, one of the backbones of the Philippine International Comics Festival 2024, offers something for everyone, but to me one of the recurring themes is of confinement and escape.

Ping Sanisan (Thailand) kicks off the book with "Before the Curtain Calls," a sublime meditation on what life is like in South East Asia, while drawing the reader in with the use of color. Sanisan explores a fundamental theme of being Southeast Asian -- the perpetuation of your role in your family and in society, simply because of the circumstances into which you are born. It revolves around a dream sequence and is rendered in striking colors, most notably red. Nicely in contrast is “The After” by Erica Eng (Singapore), a black-and-white sci-fi short story set in the future, depicting the mundanity of life for everyday people. Eng’s story showcases that even as societies evolve and progress, people are always looking for something else to do, and perhaps something more.

Societal expectations and circumstances can feel like a prison, and it comes as no surprise that in an anthology such as this, we see several stories about escaping. "Le Beauttom" by Juliette Yu-Ming Lizeray (Singapore), about two children who get a job in an underwear factory, is probably the funniest story in the book, and is created by someone originally from Malaysia who moved to the United States before settling in Singapore. "Son of Krypton" by Chappy Fadulon (Philippines) equates a standard “Filipino leaving the country to pursue better opportunities” story to the origin of Superman, a storytelling device that would always resonate with me. I think it also works more broadly, since Superman is often noted to be an immigrant, but immigrant stories in general do not equate back to Superman’s journey.

In keeping with the theme of escape, Yuri (Philippines) dedicates "Mawalang Galang" to all runaways, and is about the fragility of familial relationships in society, and how sometimes one has to break things in order to rebuild them. She also has the single most striking image in the entire book, a splash page that made me go "Wow." "Love, Remember" by June Dao (Vietnam) is a heartbreaking story about two siblings who are reunited ever so ephemerally and will resonate with anyone who has ever been away from their sibling for an extended period of time. "Metamorphosis" by Wooh Hmo (Myanmar) is equal parts Kafka's Metamorphosis and the legend of Icarus, with a grounding in reality and an art style that evokes the best horror comics. Literally about escape, it is another story by an artist living away from his home – Wooh Hmo is in exile in France.

Not all stories in the collection fit a theme of geographic and cultural confinement and escape, however. "Until When" by Tita Larasati (Indonesia) is a short graphic memoir about recovering from a stroke, which includes pages drawn during recovery. I really do believe that personal stories like this are uniquely suited to comics, in a way that they are not for other media. It is the only medium in which you can showcase someone learning to draw again by actually showing the drawings that they did in that time period.

Other stories may call to mind familiar genres to longtime readers of comics, or are a bit more abstract. Overall, this is a solid collection of stories from the region, showcasing a wide variety of talent and subject matter. And it shows that even one feels a desire to escape, there are, in similar current circumstances, cartoonists with an abundance of talent, creativity, and imagination. May all these creators find the audience they deserve.

Book Review: Noodles, Rice, and Everything Spice: A Thai Comic Book Cookbook

reviewed by Cord A. Scott, UMGC Okinawa

Christina De Witte and Mallika Kauppinen. Noodles, Rice, and Everything Spice:  A Thai Comic Book Cookbook. New York:  Ten Speed Graphic, 2024. 208 pp. US $22.99. ISBN:  978-1-9848-6160-3. https://www.penguinrandomhouse.com/books/709867/noodles-rice-and-everything-spice-by-christina-de-witte-and-mallika-kauppinen/

For the culinary curious, but challenged, any sort of cookbook can be fraught with anxiety and frustration. What might seem simple on paper may turn nightmarish in the kitchen. However, the origins of food are far more intriguing for readers and culinary practitioners. For Christina De Witte and Mallika Kauppinen, the goal of combining food origins, recipes, and an ease of explanation is in Noodles, Rice, and Everything Spice. As with so many books, it is a labor of love, as well as a long creative process to the final product.

In the first part of the book, the authors describe the manner in which they came to work on this project. For Christina, it was growing up as a mixed-race woman in Belgium. While she spoke Flemish most of her life, she often felt not quite comfortable in either her European life, or that of her Thai origins, of which she knew very little. It was only after she became an adult that she decided to embark on a quest to learn her mother’s language, which led her to an online teacher, Mallika (10).

Mallika’s story was interesting and meandering. She grew up in southern Thailand and started assisting in her family restaurant early on. She moved to Bangkok and worked at an aunt’s restaurant through adulthood. As an adult, she worked as a travel guide, and while in Finland, she met her now husband. After establishing a new life, she started cooking for neighbors, started a restaurant, and then took on virtual students for a Thai language class, which is where the two met.

The first part of the book describes the general areas of Thailand and how the food is a reflection of the local interaction with related cultures. For example, southern Thai food is spicy and heavily influenced by Malay and Indonesian culture, while the northern area has a Chinese influence. The Northwest is influenced by India and Bangkok is metropolitan and almost unto itself (17-21). From this point, the book goes into a variety of dishes made with specific ingredients. These form the chapters and are reflective of the areas in which the recipes originated.

From this point, the book is divided into chapters on ingredients, snacks and starters, noodle dishes, rice dishes, curries and soups, desserts and drinks, and finally, staples of Thai cooking. The first section, which discusses equipment, as well as Asian spices and ingredients, emphasizes the importance of cooking devices such as rice cookers (for ease), woks (for a traditional feel), as well as items, such as a mortar and pestle, for properly blending some of the ingredients. The authors also note what ingredients work best, which can be frozen for later use, and which sauces are authentic. Of particular interest was the “three buddies” spice (34-35), consisting of cilantro, garlic and peppercorn, which is frequently used in Thai cooking. The use of spices is another area of detail, as those not overly familiar with Thai cooking may shy away from chilies. The authors note that it often is left to the cook to decide, but, overall, the chilies bring a balance of flavor to the dish (36-37).

From this point, the descriptions become more precise, and again offer historical context. In the noodles chapter, some noodles originate from China and their texture and style may alter the presentation of the dish. There is also a historical overview of the flooding in Bangkok in 1942, when roadside restaurants were able to make dishes that all could quickly get, and were delicious at the same time.

The chapter on curries even offers some humor. For example, it is recommended to wear either regular work goggles (or even swim goggles!) when preparing curries. The pounding of the chilies causes some to fly out and it runs a risk of getting into the eyes. The cosmopolitan nature of Thai food, especially from Bangkok, is expanded with the brief history of Maria Guyomor di Pinha. She was of mixed heritage and introduced egg yolk desserts from Europe to the Thai community. When combined with other items, such as papayas and pineapples, introduced from Portugal (23), it has given Thai food a unique taste profile and quality that is renown the world over.

This book is a lively read, with effective explanations of the recipes. The preparation may inhibit those who are culinarily challenged (reviewer included), but, at the same time, does have one minor issue:  substitutions for items such as fish sauce or squid sauce when preparing the food. This may frustrate those who have allergies to shellfish. Additionally, there are few truly vegetarian dishes, for those who do not consume meat. The assumption is that one would cook the dish without meat, but this will also alter the original taste. However, this was one of the few issues that was noted.

On the whole, the book was a fast, engaging read that offers a new way to educate people on the history of food from a specific region, while offering visual references to the cooking process. In the end, there is also the additional engagement of not just reading but making the food. And in the end, it’s not only nourishment for the brain, but also the body.